Exploiting the radiant and reflective potentialities of glass, the exhibition invited visitors to relive the arrival into the world through the discovery of primordial light.

After The Beginning, a set of three works that question us about the sources of the universe and life, the Adèle exhibition makes us live or relive the experience of coming into the world, discovering this first light, symbol of the living.
Two Matters, each composed of about fifty glass discs, welcome the visitor. These works sublimate the process of material crystallization, and it is through this process that the creator preserves the memory of the movement, the vibration of the latter. The accumulation of these elements over several meters will immerse the viewer in a sensitive experience of light. Disturbed, animated by this vibrant, almost fluid environment, he will then be able to apprehend the living in the matter.
The energy and continuous movement of life is experienced in the work Gravity Ripples. Evoking the original movement — the energy of the Big Bang that continues to animate and organize a perpetually evolving universe — the work also contains that of glass, which oscillates between liquid and solid states, and that of blowing. Imprints of the centrifugal force they faced during their creation, the glass discs retain the memory of their fabrication process, which is based on continuous rotation.
In three closed rooms, the installation Principles is the expression of what could be the elementary laws of the formation of our consciousness linked to our experiences. Traversing space-times, it organizes our active memory and brings us to experiment with matter again. Taming the untamable, sculpting the liquid, giving mobility to the immobile, this is what Jeremy works on day after day. To experience glass as he has done for years, he brings us with this exhibition to experiment with matter physically and internally.